Finished acrylic painting of Chloe. Here it is, photographed in daylight (no filter, etc.) so you can see the vibrant colors that I like to use.
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Here it is, almost done. The Petrea (also know as “Queen’s Wreath”) bush and garden gate at Crowley Nursery & Garden in Sarasota, Florida. Acrylic painting, work in progress. Just need to put a few more finishing touches and sign. I love the color and atmosphere of this piece. It was fun to paint.
Sketch First, Then Paint
I’m glad I sketched this scene first (see my previous post). I’ve always wanted to sketch things out before painting them but never did. For my last two acrylic paintings, I’ve finally given this practice a go – and I’m glad I’ve learned the advantages/benefits of doing this. Sketching first helps me work a few things in my mind and plan a little before putting brush to canvas.
In the past, sketching first seemed like an added layer “work” to me. I liked to approach a painting very spontaneously. After all, to me sketching was sketching – seemed to be more about lines and drawing – and painting was painting, freer and more about color. I don’t feel that way any more. Sketching is becoming more about tone, value, proportion, perspective, and color too as I add it onto the page.
As I approach a sketch, I think to myself that I am exploring the subject matter and I let that sense of exploration guide me. In my my mind, I’m thinking how would I handle that if I were painting it? What kind of shapes are these? Is this something I want to explore more in a painting? Now, I like to sketch first, then paint!
Pink Flowering Bromeliad ~ acrylic on canvas by Cynthia Maniglia
Thank you for all of your feedback and “Likes” on my painting. After letting it sit, per the majority of comments, I decided the painting needed more definition and depth, as well as rearrangement of some of the leaves. Phthalo blue to the rescue! Plus a little lemon yellow here and there. I’m extremely happy with the outcome, as this painting reflects my love of plants and is the result of much time spent in the garden studying botanical life here in Florida. It also reflects over a year of watercolor painting, a medium many master artists used as a precursor to works in oil on canvas. I feel working in watercolor on large pieces of paper is too unwieldy for me, involves too much prep and needs costly framing to enjoy, so I prefer to work large on a stretched canvas surface. This is 19 1/2″ x 16″.
I’m thinking of adding a coat of vanish sealer on this. I’ve never used that before. Anyone have experience with it?
Thanks again to all those who chimed in with your thoughts!
Happy Valentine’s Day
Acrylic, finished and installed in our bathroom. 🙂
I worked from memory and a photo on my cell phone of the Cordyline plant that is in front of our house. I wished I had cut one of the leaves off the plant to take up to the studio so I could work from real life. Overall, I am pleased with how this turned out, though. The signature is actually green but photographs as if it is dark red! An optical illusion.
New work in progress. Blocking in the leaves for a Cordyline plant painting. Acrylic on canvas – and still a lot of work to go. I can wait to hit it with the neon pink! I’ve been mixing my greens according to this excellent tutorial.